All Atkinson Grimshaw's oil paintings
   1   2   Next
ID Image  Oil Pantings, Sorted from A to Z     Other Information
44675 A Lane by Moonlight with Twon Figures A Lane by Moonlight with Twon Figures mk174 1880 Oil on board 45.1x35.5cm
44610 A Mossy Glen A Mossy Glen mk174 1864 Oil on board 54.7x65cm
44653 A Street in Old Scarborough A Street in Old Scarborough mk174 c.1877 Pencil 12.2x18.2cm
44659 A Street in Old Scarborough A Street in Old Scarborough mk174 1877 Oil on board laid on panel 42x26.7cm
44682 A Yorkshire Home A Yorkshire Home mk174 1878 Oil on canvas 81.3x122cm
44676 At Anchor At Anchor mk174 1893 Oil on board 23.5x47.6cm
1853 Autumn Autumn Roy Miles Gallery, London, England
44624 Autumn Glory Autumn Glory mk174 1869 Oil on board 62.3x87.5cm
1864 Autumn Morning Autumn Morning Oil on canvas 20.00 x 30.00 in
44634 Autumn Regrets Autumn Regrets mk174 1882 Oil on canvas 61x91.5cm
44665 Baiting the Lines,Whitby Baiting the Lines,Whitby mk174 1884 Oil on canvas 50.6x76cm
44616 Barden Tower,Yorkshire Barden Tower,Yorkshire mk174 1868 Watercolour and Bodycolour 39.4x54cm
44702 Barnes Terrace Barnes Terrace mk174 1886 Pencil 11.4x18cm
44611 Blea Tarn at First Light,Langdale Pikes in the Distance Blea Tarn at First Light,Langdale Pikes in the Distance mk174 1865 Oil on canvas 35.5x45.7cm
92708 Boar Lane, Leeds, by lamplight. Signed and dated 'Atkinson Grimshaw 1881+' (lower right) signed and inscribed with title on reverse Boar Lane, Leeds, by lamplight. Signed and dated 'Atkinson Grimshaw 1881+' (lower right) signed and inscribed with title on reverse Date 1881(1881) Source Bonhams TTD
44679 Boar Lane,Leeds by Lamplight Boar Lane,Leeds by Lamplight mk174 1881 Oil on canvas 48.9x76.8cm
44617 Bolton Woods Bolton Woods mk174 1870 Oil on board 76.2x63.5cm
32785 Bowder Ston Bowder Ston mk81 Borrowdale c.1863-8
32784 Bowder Ston, Bowder Ston, mk81 Borrowdale c.1863-8
1859 Bowder Stone, Borrowdale Bowder Stone, Borrowdale c1863-1888 157.48 x 211.02 in
44620 Burnsall Valley Wharfedale Burnsall Valley Wharfedale mk174 c.1868 Watercolour with bodycolour and gum arabic 25.4x19.1cm
1854 Day Dreams Day Dreams   
44640 Detail of Dulce Domum Detail of Dulce Domum mk174
44693 Detail of Nab Scar Detail of Nab Scar mk174
44652 Detail of Scarborough Bay Detail of Scarborough Bay mk174
44647 Detail of Two Thousand Year Ago Detail of Two Thousand Year Ago mk174
44633 Dulce Domum Dulce Domum mk174 1876-85 Oil on canvas 83x122cm
1855 Elaine Elaine   
44656 Elaine Elaine mk174 1877 Oil on canvas 82.5x122cm
1856 Elaine 2 Elaine 2   
1852 Endymion on Mount Latmus Endymion on Mount Latmus 1879 Oil on canvas 12.60 x 18.50 in
44677 Evening Glow Evening Glow mk174 c.1884 Oil on canvas 28.5x43cm
44609 Fair Maids of February Fair Maids of February mk174 1862 Oil on canvas 35.6x30.5cm
44643 Fiamella Fiamella mk174 1883 Oil on canvas 61x45.7cm
44660 Forge Valley,near Scarborough Forge Valley,near Scarborough mk174 1875 Oil on canvas
44612 From Nature near Adel From Nature near Adel mk174 1861 Oil on board 37.5x28.9cm
44632 Full Moon Behind Cirrus Cloud From the Roundhay Park Castle Battlements Full Moon Behind Cirrus Cloud From the Roundhay Park Castle Battlements mk174 1872 Oil on board 43x54.5cm
44619 Ghyll Beck Barden Yorkshire Early Spring Ghyll Beck Barden Yorkshire Early Spring mk174 1867 Oil on board 76.2x63.5cm
44683 Golden Light Golden Light mk174 1893 Oil on canvas 45.7x68.6cm
1847 Greenock Dock Greenock Dock Oil on canvas 11.50 x 17.52 in
44705 Half-Tide Half-Tide mk174 1884 Oil on canvas 55.9x91.5cm
1860 Hampstead Hampstead 1881 13.50 x 17.52 in
44646 Il Penseroso Il Penseroso mk174 1875 Oil on canvas 59.7x49.5cm
70392 In Peril In Peril Medium Oil on canvas Dimensions 76.2 ?? 127 cm
44655 In Peril In Peril mk174 c.1877-9 Pencil 12.2x36.4cm
44657 In Peril In Peril mk174 Oil on canvas 81.3x119.4cm
44644 In the pleasure In the pleasure mk174 1875 Oil on canvas 45.7x73.7cm
44623 Ingleborough from under White Scar Ingleborough from under White Scar mk174 1868 72x91.5cm
1850 Iris Iris 1886 Oil on canvas 31.89 x 48.03 in
44645 Iris Iris mk174 1886 Oil on canvas 81.5x122.2cm
44688 Knostrop Cut Leeds Knostrop Cut Leeds mk174 1893 Oil on panel 15.9x36.2cm
44628 Knostrop Hall Early Morning Knostrop Hall Early Morning mk174 1870 59.7x90.2cm
44680 Knostrop Hall Leeds Knostrop Hall Leeds mk174 1882 Oil on board 34.3x43.2cm
1861 Knostrop Hall, Early Morning Knostrop Hall, Early Morning 1870 Oil on canvas 24.02 x 36.26 in
44672 Leeds Bridge Leeds Bridge mk174 1880 Oil on canvas 75x121.9cm
44697 Lights in the Harbour Lights in the Harbour mk174 1879 Oil on canvas 82.5x121.9cm
1848 Liverpool Custom House Liverpool Custom House Oil on board 7.01 x 15.00 in
44661 Liverpool Quary by Moonlight Liverpool Quary by Moonlight mk174 1887 Oil on canvas 61x91.4cm
1843 Liverpool Quay by Moonlight Liverpool Quay by Moonlight 1887 240.16" x 359.84" Private collection
44664 Liverpoool from Wapping Liverpoool from Wapping mk174 c.1875 Oil on canvas 59.7x88.9cm
1846 London Bridge, Half Tide London Bridge, Half Tide 1884 Oil on canvas 22.05 x 35.83 in
44635 Meditation Meditation mk174 ca.1875 Oil on canvas
1851 Midsummer Night Midsummer Night 1876 22.83" x 35.04"
44695 Mr Flowers Sketch Mr Flowers Sketch mk174 12.2x18.2cm
44639 My Wee White Rose My Wee White Rose mk174 1882 Oil on canvas 76.5x48.2cm
44694 Nab Scar Nab Scar mk174 1864 Oil on board 40.6x50.8cm
1844 Nightfall Down the Thames Nightfall Down the Thames   
1845 Nightfall Down the Thames Nightfall Down the Thames 1880 Leeds City Art Gallery
44669 Nightfall down the Thames Nightfall down the Thames mk174 1880 Oil on board 40.2x63.1cm
44699 Nightfall in the Harbour Scarborough Nightfall in the Harbour Scarborough mk174 1881 Oil on canvas 58.4x91.4cm
44686 November Morning November Morning mk174 1883 Oil on canvas 50.8x76.2cm
44696 November Morning on the River Wharfe November Morning on the River Wharfe mk174 1866 Oil on canvas 69.8x90.2cm
1858 October Gold October Gold 1889 23.23 x 17.52 in
44703 On the Thames Barnes On the Thames Barnes mk174 1886 Oil on canvas 61x91.5cm
44673 Park Row,Leeds Park Row,Leeds mk174 1882 Oil on canvas 76.2x63.5cm
44662 Prince-s Dock Hull Prince-s Dock Hull mk174 1887 Oil on card 30.5x49.5cm
97662 Quai de Paris Rouen Quai de Paris Rouen oil on board; 17 x 36.5 cm Date 1893(1893) cyf
44674 Reflections on the Aire On Strike Reflections on the Aire On Strike mk174 1879 Oil on canvas 81.2x121.9cm
44671 Reflections on the Thames Westminster Reflections on the Thames Westminster mk174 1880 Oil on canvas 76.2x127cm
23308 rNightfall down the Thames (nn03) rNightfall down the Thames (nn03) 1880 Oil on board 40.2 x 63.1 cm 15 7/8 x 24 7/8 in Leeds City Art Gallery Leeds
44638 Rouce at Night Rouce at Night mk174 1878 Oil on canvas 81.2x119.4cm
44687 Sand,Sea and Sky A Summer Fantasy Sand,Sea and Sky A Summer Fantasy mk174 1892 Oil on board 30.5x45.7cm
44649 Scarborough Bay Scarborough Bay mk174 1871 Oil on canvas 60.4x90.2cm
44651 Scarborough from Seats near the Grand Hotel Scarborough from Seats near the Grand Hotel mk174 1878 Oil on canvas 50.8x76.2cm
44698 Scarborough Skyline Scarborough Skyline mk174 c.1877 Pencil 12.2x18.2cm
44637 Scene at the Theatre Scene at the Theatre mk174 c.1880-90 Pencil with ink 12.2x18.2cm
44663 Shipping on the Clyde Shipping on the Clyde mk174 1881 Oil on board 30.5x50.8cm
92900 Shipping on the Clyde Shipping on the Clyde Oil on board, 30.5 x 51 cm.1881 cjr
44650 Sic Transit Gloria Mundi The Burning of the Spa Saloon Scarborough Sic Transit Gloria Mundi The Burning of the Spa Saloon Scarborough mk174 1876 Oil on canvas 82.5x122cm
44684 Sixty Years Ago Sixty Years Ago mk174 1879 Oil on canvas 81.3x122cm
44685 Sliver Moonlight Sliver Moonlight mk174 1886 Oil on cnavas 76.2x63.5cm
1857 Snowbound Snowbound 1883 Oil on canvas 29.92 x 20.08 in
44629 Snowbound Snowbound mk174 1883-4 Oil on canvas 76.2x50.8cm
44654 Spa after the Fire Spa after the Fire mk174 1876 Pencil 12.2x18.2cm
1849 Spirit of the Night Spirit of the Night 1879
44608 Spring Spring mk174 1875 Oil on canvas 61x91cm
44681 St Anne-s Lane,Headingley St Anne-s Lane,Headingley mk174 c.1880-5 Oil on board 35.5x45.7cm
1862 Stapleton Park near Pontefract Stapleton Park near Pontefract 1882 Oil on canvas 20.08 x 29.92 in
44690 Study of Beeches Study of Beeches mk174 1872 Oil on card 42.5x54.6cm
44636 Summer Summer mk174 1875 Oil on canvas 63.5x76.2cm
   1   2   Next
Atkinson Grimshaw
British 1836-1893 Atkinson Grimshaw Gallery Grimshaw's primary influence was the Pre-Raphaelites. True to the Pre-Raphaelite style, he put forth landscapes of accurate color and lighting, and vivid detail. He often painted landscapes that typified seasons or a type of weather; city and suburban street scenes and moonlit views of the docks in London, Leeds, Liverpool, and Glasgow also figured largely in his art. By applying his skill in lighting effects, and unusually careful attention to detail, he was often capable of intricately describing a scene, while strongly conveying its mood. His "paintings of dampened gas-lit streets and misty waterfronts conveyed an eerie warmth as well as alienation in the urban scene." Dulce Domum (1855), on whose reverse Grimshaw wrote, "mostly painted under great difficulties," captures the music portrayed in the piano player, entices the eye to meander through the richly decorated room, and to consider the still and silent young lady who is meanwhile listening. Grimshaw painted more interior scenes, especially in the 1870s, when he worked until the influence of James Tissot and the Aesthetic Movement. On Hampstead Hill is considered one of Grimshaw's finest, exemplifying his skill with a variety of light sources, in capturing the mood of the passing of twilight into the onset of night. In his later career this use of twilight, and urban scenes under yellow light were highly popular, especially with his middle-class patrons. His later work included imagined scenes from the Greek and Roman empires, and he also painted literary subjects from Longfellow and Tennyson ?? pictures including Elaine and The Lady of Shalott. (Grimshaw named all of his children after characters in Tennyson's poems.) In the 1880s, Grimshaw maintained a London studio in Chelsea, not far from the comparable facility of James Abbott McNeill Whistler. After visiting Grimshaw, Whistler remarked that "I considered myself the inventor of Nocturnes until I saw Grimmy's moonlit pictures."[9] Unlike Whistler's Impressionistic night scenes, however, Grimshaw worked in a realistic vein: "sharply focused, almost photographic," his pictures innovated in applying the tradition of rural moonlight images to the Victorian city, recording "the rain and mist, the puddles and smoky fog of late Victorian industrial England with great poetry." Some artists of Grimshaw's period, both famous and obscure, generated rich documentary records; Vincent Van Gogh and James Smetham are good examples. Others, like Edward Pritchett, left nothing. Grimshaw left behind him no letters, journals, or papers; scholars and critics have little material on which to base their understanding of his life and career. Grimshaw died 13 October 1893, and is buried in Woodhouse cemetery, Leeds. His reputation rested, and his legacy is probably based on, his townscapes. The second half of the twentieth century saw a major revival of interest in Grimshaw's work, with several important exhibits of his canon. . Related Artists to Atkinson Grimshaw : | Robert Lefevre | Thomas Cole | Joseph Van Bredael | Benjamin Vautier | Carl Friedrich Lessing |